Wednesday, September 23, 2015

Unit 4: Blog Entry

Research and write a paragraph summary about four 20th century photographers of your choice. Each photographer needs to have a paragraph written about them each. You are to include two images of work from each of the four photographers (research online) with each summary. 
Here are some photographers from which you can choose.  
  • Henri Cartier Bresson
  • Ansel Adams
  • Edward Weston
  • Jerry Uelsman
  • Minor White
  • Alfred Stieglitz
  • Eugene Atget
  • Man Ray
  • Walker Evans
  • Cindy Sherman

Man Ray
Man Ray
Born on August 27, 1890, Man Ray (Emmanel Radnitzky) was an American Visual artist. During his career he allowed few details of his early life or family background to be known to the public. He even refused to acknowledged that he ever had a name other than Man Ray. He wished to disassociate himself from his family background, but their tailoring left an enduring mark on his art. Later in 1918, he produced his first significant photographs. Man Ray started making objects and developed unique machanical and photographic methods of making images. In Montparnasse, he became a distinguished photographer. Man Ray reinvented the photographic technique of solarization. He also created a type of photogram he called "rayographs", which he described as "pure dadaism". He later died in Paris o November 18, 1976 from a lung infection. 
Man Ray
Edward Weston
Edward Weston was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers.." He was born in Highland Park, Illinois. As a present for his 16th birthday, Weston's father gave him his first camera, a Kodak Bull's-Eye #2.  And in the April of 1906, the magazine Camera and Darkroom published a full page reproduction of his picture. He later enrolled in the Illinois School of Photography to follow his passion. Years later Weston agreed to allow Mather, a new friend he had met, to become an equal partner in his studio. For several months they took portraits that they signed with both of their names. This was the only time in his long career that Weston shared credit with another photographer. By 1948 Weston was no longer physically able to use his large view camera due to Parkinson's disease. That year he took his last photographs. His final negative was an image he called, "Rocks and Pebbles, 1948". Weston died at his home on Wildcat Hill on New Year's Day, 1958.
Edward Weston
Minor White

Minor White was an American photographer, theoretician, critic and educator. He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intelletual philosophies. White was born in Minneapolis, Minnesota in 1908. His grandfather, George Martin, was an amateur photographer and gave White his first camera in 1915. In late 1937 White decided to move to Seattle. He purchased a 35mm Argus camera and took a bus trip across country toward his destination. And later in 1941 three of his photographs were accepted by the Museum of Modern Art in New York for inclusion in their "Image of Freedom" exhibition. In April 1942 White was drafted into the United States Army. White spent the fist two years of World War II in Hawaii and in Australia, and later he became Chief of the Divisional Intelligence Branch in the southern Philippines. After the war, White moved to San Francisco in July and lived with Ansel Adams for several years. While there Adams taught White about his Zone System method of exposing and developing photographs, which White used extensively in his own work and later insisted that his students learn it as well. Later in his career he continued to explore how people understand and interpret photography and began to incorporate techniques of Gestalt psychology into his teachings. On June 24, 1976, White died of a second heart attack while working at his home.
Minor White



Walker Evans
Walker Evans
Walker Evans was an American photographer best know for his work for the Farm Security Administration documenting the effects of the Great Depression. Evans was born in St. Louis, Missouri in 1903. He took up photography in 1928 around the time he was living in Ossining, New York. In 1941, Evan's photographs and Agee's text detailing the duo's stay with three white tenant families in southern Alabama during the Great Depression were published as the groundbreaking book Let Us Now Praise Famous Men. In 1945, Evans became a staff writer at Time magazine. Evans died at his home in New Haven, Connecticut, in 1975.
Walker Evans




Wednesday, September 2, 2015

Unit 3: Blog Entry 2

Blog Entry
On your blog site, have examples of people, places, and things (three images of each), with the rule of thirds grid drawn over them.
www.kodak.com (Links to an external site.)
 (see tip #7 “Move it From the Middle”)

 Discuss how the rule of thirds is used in each photo.

iphonephotographyschool.com
The rule of thirds is used in this photo by placing the people on the left side of the image instead of the center. 







cchavezdigitalphoto.blogspot.com
In this image the person is placed on the right. But it is similar as the first image since it is slightly off center. 







iphonephotographyschool.com
Again the off center technique is used in this image as well








Mrs. Knapik's
In this photo the photographer lined up the statue of Liberty with the right vertical line. 







thephotographicangle.co.uk
This image lines up the subjects on the right most vertical line.











photographymad.com
This image is similar in that it uses the rule of thirds grid to line up the subject with the lines.










photographyandsurrounding.blogspot.com
This image uses the off center technique and lines up the subject with the lines of the gird.












Jim Zuckerman
Again with off centering the subject and lining it up with the grid of the rule of thirds.











stepbystep.com
This image lines up the boat with the left vertical line and in a way some what off centers the subject even though most of it is in the center. 

Unit 3: Blog Entry 1

Homework 2

The challenge is to compose by controlling how the subject is seen and what emotions are felt by the viewer. This is done through composition—the relationship of the elements in an image with each other and with the frame. You know that good feeling you get when you snap a great shot? Well, just follow these guidelines, and you’ll start to see things differently through the viewfinder—and take great shots more often. Take a little time to compose each picture into the masterpiece it could be. Remember that you are trying to develop mastery in concept composition as well as in technique. [C2]


Visit the following sites and make notes in your blog about each topic. Include an image to illustrate what you are talking about. If one of your assignments from last year photos fits—then use that as your image. Cut and paste links to your browser or right-click to open: 
www.kodak.com...

 (Links to an external site.)

Erin McNulty
1)Get Down on Their Level:
Hold your camera at the subjects eye level. This means getting down on the subjects level. To do so the photographer will need to bend down, get on one knee, or even lay down to match the subjects height. 




Alaei
2) Use a Plain Background:
Always check the surrounding area of your subject before snapping a picture. A cluttered background can be distracting. Using a plain background can enhance the focal point of your photo. 





Mike Criss
3) Use Flash Outdoors:
Use flash outdoors to enhance the photo. Use it in bright sunlight to illuminate dark shadows in your image. And on cloudy days to brighten up a subjects face. 





services.flikie.com
4) Move in Close:
Fill your image with the subject. To do so, use the zoom on your camera or take a few steps closer.  This will help better show the details in your subject. 








theamazingpics.com
5) Take some Vertical Pictures:
Some subjects are better suited for vertical pictures. This can be achieved by turning your camera sideways to better accommodate the subject. 









givensdj.blogspot.com
6) Lock the Focus:
Lock the focus to create a sharper image of off center subjects. You can do this by either manually focusing the camera or holding down the button halfway, centering the subject, and then pressing down the button fully. 





exposureguide.com
7) Move it from the Middle:
Add more character to your photo by simply moving the subject off center. You can do this by using the grid on your camera and placing the subject on one of the lines. 








2heartsphoto.com
8) Know your flash's range:
Subjects beyond the flash's maximum range will appear dark. For most cameras it is ten feet but check your camera's manual to be sure. 






imgarcade.com
9) Watch the Light:
For people, try and use soft light like on cloudy days instead of hard lighting which will create harsh shadows. For scenic pictures use long shadows such as in the early morning.














George 
10) Be a picture director:
Add some props, show people where to stands, or try a different viewpoint. Bring out the personalities of your subjects.